Title/Author

The Transference Engine

Julia Verne St. John

Average Review Rating Average Rating 8/10 (1 Review)
Book Details

Publisher : Daw Books

Published : 2016

Copyright : Julia Verne St. John 2016

ISBN-10 : PB 0-7564-0953-5
ISBN-13 : PB 978-0-7564-0953-1

Publisher's Write-Up

A fantastical steampunk novel of magic and machines set in an alternate 1830s London.

Madame Magdala has reinvented herself many times, trying to escape Lord Byron's revenge. She destroyed the Transference Engine Byron hoped to use to transfer his soul into a more perfect body and perpetuate his life eternally. A fanatical cult of necromancers continues Byron's mission to force Magdala and Byron's only legitimate child - Ada Lovelace - to rebuild the machine and bring Byron back.

Magdala now bills herself as the bastard daughter of a Gypsy King. She runs a fashionable London coffee salon and reading room while living a flamboyant lifestyle at the edge of polite society. Behind the scenes, she and Ada Byron King, Countess of Lovelace, use the massive library stored at the Bookview Cafe to track political and mercantile activity around the world. They watch to make certain the cult of necromancy surrounding Lord Byron, the poet king who worshipped death, cannot bring him back to life.

On the eve of Queen Victoria's coronation in June of 1838, rumors of an assassination attempt abound. Both the Bow Street Runners and Magdala's army of guttersnipe spies seek to discover the plot and the plotters. Who is behind the mysterious black hot air balloon that shoots searing light from a hidden cannon, and who or what is the target? And who is kidnapping young girls from all walks of life?

Desperately, Magdala and her allies follow the clues, certain that someone is building a new Transference Engine. But is it to bring back the dead or destroy the living?

'Victorian steampunk fantasy The Transference Engine is interesting because it features two of history's most notable women, but gives their stories a fantastical spin. Verne St. John's interesting snapshot of the past of a steampunk London and the colourful characters contained within the book's pages make The Transference Engine an intriguing fantasy read.'

Nerd Much?

'It's oddly delightful to read a ripping Victorian, steam-powered yarn set in a world where Byron, Shelley, Polidori, etc., are mostly known as depraved necromancers and mad scientists.'

RT Reviews

'A steampunk romp set in early 19th-century London.... Verne St. John paints an intriguing portrait of London past and introduces a colourful cast of characters... an enjoyable read.'

Publishers Weekly
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Reader Reviews

Why not Submit a Review your own Review for this book?

Review by Paul Lappen (300618) Rating (8/10)

Review by Paul Lappen
Book Source: Not Known
Rating 8/10

This steampunk novel is set in 1830's London. Madame Magdala has reinvented herself many times. Several years previously, she destroyed a machine called a transference engine. Lord Byron was totally obsessed with being able to transfer his soul into another body, thereby becoming immortal. Magdala's fear is that Byron's fanatical followers will kidnap her and Ada Byron Lovelace, his only legitimate daughter, and force them to rebuild the transference engine.

During the day, Magdala runs a fashionable coffee salon and reading room while living on the edge of polite society. She and Ada use the massive library stored there to keep an eye on political and business activity around the world. An army of street urchins keeps Magdala informed about what's going on around London.

The coronation of Queen Victoria is coming in a few days. An all-black hot air balloon that shoots searing light from a hidden cannon suddenly appears above London. Is Victoria the target? Does this have anything to do with the disappearance of a number of young women from all walks of life? Lord Byron died a few years previously, or did he?

I enjoyed reading this book. It's just weird enough, and it is very easy to read and comprehend. I am looking forward to reading a sequel.
Paul Lappen (30th June 2018)

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