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Reader Reviews | |
Review by Emilie (301112) Rating (7/10) Review
by Emilie From a cosy domestic setting - crackling fire, drawn curtains and guests eager to hear a frightening tale - we are drawn into the written recollections of a young and inexperienced governess as she wins a prestigious place. The rambling country house of Bly is to be her new home, two ridiculously adorable children are her new charges, and there’s even the advantage of a wildly sexy master of the house living in London and paying her handsomely. However, evil begins to make itself felt before the dust has settled on our heroine’s suitcases. Two apparitions are stalking the house, the servant clams up whenever other Bly employees are mentioned, and the children have a secret which they’re not telling anyone. Why does no one want to talk about Peter Quint the handyman, and Miss Jessel the former governess? Why are the children acting so strangely? Most importantly, why on earth isn’t the new governess hightailing it out of there as fast as her hobnailed Victorian boots will carry her? She pits herself bravely against the dark forces closing in on Bly, in order to protect her young charges…or does she? This is the great strength and defining characteristic of The Turn of the Screw; the questions that appear at every point in the narrative. Everyone involved is untrustworthy, even the governess herself. As each new horror escalates the tension, you begin to ask yourself if you’re really reading a story about a plucky woman standing up to hostile supernatural entities. Are you in fact reading an account of a disturbed, sexually repressed woman’s descent into madness? Suddenly the tale is even more frightening than before; hints of childhood abuse, terrible secrets kept hidden from adult ears, and the governess’s love for the children taking a darker, more obsessive turn. She keeps their letters to their father instead of sending them, and the children’s attitude towards her could be knowing deception, or barely concealed fear.
This method of storytelling, with an unreliable narrator and a
lot of room left for the reader to draw their own conclusions,
makes for a fascinating read. Style-wise it is an intense and
not necessarily likeable experience; at some points it’s as if
the author has chained you to a chair and begun savagely beating
you about the head with a Thesaurus. This is of course how it
is meant to be, claustrophobic and tense with tumbling sentences
rolling about, but it doesn’t mean you have to like it - although
Edgar Allen Poe did much the same thing, so perhaps ghosts and
mile-long paragraphs go well together. If you’re more interested
in gore or straight-up shocks than subtle psychological exploration,
then this book isn’t for you either; Thomas Harris does a good
line in bloody horror, and with an elegantly sparse writing style
to boot. However, this is a classic of the ghost-story genre,
with a narrative voice that makes it well worth your attention.
Read it, marvel at the tightly-constructed plot, and see how long
it takes you after finishing to look out of the window without
a tinge of terror. Note: Free for the Kindle: The Turn of the Screw, Ed. |
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