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Reader Reviews | |
Review by John Alwyine-Mosely (310310) Rating (9/10) Review
by John Alwyine-Mosely The difficulties for the film is what makes the book a joy as it starts in 1938 as Superman bursts on the scene and ends in 1954 as the Kefauver Senate hearings delivers the death blow to a declining comic book industry. A central theme is the roles of the Jews in the comic book industry: it explores the mythology of the comic hero and its impact on Joe and Sam’s own struggles and personal journeys from the stories of the Escapist which in turn shape their lives. Sam struggling to come to terms with being Gay and Joe trying to rescue his family stuck in an increasingly bleak Nazi run Prague. It also explores the historical rip-off of the artists and writers of the period. Superman's creators did not come into the real money until the blockbuster Superman movies and a court case prised the money out of Hollywood's coffers. Historical characters from the period from the comic industry and the movie, art and political world come in and out of the story. The Escapist also draws on Joe Kavalier's training and experience of magic and Houdini type tricks and the impact this has on his life.
The writing is a tour de force so that you hear, touch and smell
the period. Each character has their own voice and even minor
characters when they enter the story in a few paragraphs you have
their back-story and motives seamlessly woven in so they become
real characters. The point of view moves from character to character
and no easy option or resolution is allowed as the story builds
to the magic trick ending. Scenes are comic one minute and bitterly
tragic the next as you join in the rollercoaster of their lives.
Yes, I am going say it... if you only have the chance to read
one book this year make it this one, you won’t be disappointed. |
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